At first sight, Zeichensaal is a photograph of an office. In this case, the office of Richard Verhölzer, an architect from Munich who was important in the post war reconstruction of Germany. It takes a few seconds and close examination to realise it is in fact a photograph of a model of the office, carefully and painstakingly reconstructed by the artist Thomas Demand from an original image. I saw it at Tate Liverpool yesterday.
It’s method is very post-modern. Like the work of Gursky it uses a trick to distance itself from reality. Whereas Gursky uses the digital manipulation of images, Demand reconstructs a real place to twist the perception of the viewer.